i.Top 10 Indian Films

1. Sholay
2. Pather Panchali
3. Mother India
4. Pyaasa
5. Meghe Dhaka Tara
6. Charulata
7. Subaranarekha
8. Mughal-e-Azam
9. Amma Ariyan
10. Awaara

ii.Long List





i.Top 10 Indian Films


1. Sholay (1975)

Alternative title: Flames of the Sun aka Embers

Language: Hindi

Director: Ramesh Sippy

Running time: 199 mins

Starring: Dharmendra, Amitabh Bachchan, Hema Malini, Amjad Khan

Company: Sippy Films

Sippy pulls off every conceivable cinematic trick set to plan Bambaiya (Bombay cinema's mise-en-scene) to tell the story of two runaway thieves defending a village against dacaits (bandits). It was a case of the extraordinarily popular dacait film meets Sergio Leone. The cinematography was spectacular as were the crisp dialogues written by Salim-Javed and delivered with inimitable panache by all concerned. The film ran for years and the fans are still reciting the lines. Never had dustbowl India looked as glamorously menacing as during Helen-RD Burman's effortless cabaret of Mehbooba mehbooba set in the ravines of the Chambal. The film established Bachchan's reputation as India's No. 1 'angry young man' ushering in an era of leather jacket-clad superheroes swinging between motorbikes and horses. But the showpiece of the set was Amjad Khan's Gabbar Singh whose terror, it is rumoured, is still invoked by mothers to put their children to sleep.




2. Pather Panchali (1955)

Alternative title: Song of the Little Road

Language: Bengali

Director: Satyajit Ray

Running time: 122 mins

Starring: Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, Subir Banerjee

Company: West Bengal Government

Ray's micro-budget lyrical elegy to the decline of a rural brahmin family forced to move to the city has been considered symbolic of India's transformation with the onset of industrialisation. Despite the film's reputation as India's answer to Italian neo-realism due to its detailed focus on the everyday life of ordinary people and the use of non-professional performers, its literary sophistication belies such an attribution. Subrata Mitra's photography, the naturalistic acting style of the performers, the gentle pace of narration and Ravi Shankar's score for the flute were considered pathbreaking in 1955 and continue to charm audiences the world over even today. The scene where the children encounter a train while playing in the fields is legendary and so are many others. Simple because of its evocation of the author's nostalgia for a childhood in harmony with the rhythms of nature. Complex because much of it has the sinister charm of a lullaby about princes, witches and demons.




3. Mother India (1957)
A bfi Film Classic Book


Alternative title: Bharat Mata

Language: Hindi

Director: Mehboob Khan

Running time: 168 mins

Starring: Nargis, Raj Kumar, Sunil Dutt, Rajendra Kumar

Company: Mehboob Productions

A haunted dreamscape of rural India, now seen as the ultimate cinematic icon of Nehruvian India. The film was mainly devoted to the gargantuan melodramatic presence of Nargis as the heroine enduring the forces of nature, evil moneylender and loss of husband and finally being forced to choose between duty and maternal love, the nation being evoked mostly in the song and dance sequences. The film's much-underrated surreal feel comes from the director's attempts to exploit the tension between documentary realism and melodrama underscored by unconventional cutting and camera positions, striking colour codes and stylised acting. Mehboob used real-life villagers in the communal sequences and the focus on the rituals of agrarian life has occasioned critics to spot influences of Soviet-style realism of the Dovzhenko school. There is also an interesting subtext about Indian cultic religiosity mainly conveyed through character names, use of religious symbols and cultic activity.




4. Pyaasa (1957)
Alternative title: Eternal Thirst aka The Thirsty One

Language: Hindi

Director: Guru Dutt

Running time: 153 mins

Starring: Guru Dutt, Waheeda Rahman, Mala Sinha, Johnny Walker

Company: Guru Dutt Films

Turning away from the stylish frothy romances and noirish thrillers of his early career, Dutt explored the fate of youthful imagination in modern India in this tale of the alienated artist (played by Dutt himself) losing his girl and ending up in a haze of alcohol and the company of the golden-hearted courtesan. As genres went, Dutt was grafting new nuances on to the time-tested formula of the Devdas story. Critics saw its desperate pessimism and stinging critique of the rich and the powerful as a darkening of the optimistic skies of post-independence Bombay cinema. The quasi-expressionist photography in black and white deepened such perceptions. Dutt's alcoholism and suicide has contributed to the film's reputation as the anthem of a postcolonial feudal elite in decline. The songs have grown in stature and so has the ethereal presence of Waheeda Rahman playing the role of the courtesan.




5. Meghe Dhaka Tara (1960)
Available on bfi VHS/DVD

Alternative title: The Cloud-capped Star

Language: Bengali

Director: Ritwik Ghatak

Running time: 134 mins

Starring: Supriya Choudhury, Anil Chatterjee, Bijon Bhattacharya, Geeta De

Company: Chitrakalpa

Ghatak tells the story of a young working woman in his cinematic exploration of class and gender in post-independence Bengal. The film's low-key photography intensified the visceral invocation of the heroine's claustrophobic existence as she toils away in a relentlessly humid and rainy world to make ends meet for her family. The members of the family, meanwhile, are caught in their private logics bordering on paranoid self-seeking greed and can only helplessly watch beauty wither away. The director's use of folk and classical musical motifs in the quieter moments of the film alternating with melodramatic action set within the ritualistic details of the brahmanical everyday underline his attempts to imbue the drama with epic dimensions. Extra-diegetic sound effects like the whiplash accompanying the heroine's silent shell-shocked walk back home after discovering her fiancé's infidelity with her sister have become representative of the best of Indian cinema.




6. Charulata (1964)
Alternative title: The Lonely Wife

Language: Bengali

Director: Satyajit Ray

Running time: 117 mins

Starring: Madhabi Mukherjee, Soumitra Chatterjee, Sailen Mukherjee

Company: R.D.B.

The film, which Ray considered as his best, depicts the tensions generated by the arrival into the life of Charulata, a lonely housewife, of her husband's young nephew. As it stands, the film unfolds as a dialogue between cinematic figures of desire conjured out of shades of black and white, a dramatic play of gazes and a meticulously punctuated soundtrack. The camera-eye frequently assumes the heroine's point-of-view and at other times retreats to an autonomous subjectivity of its own. Ray's music adds that extra bit of movement to intensify a mood here and lead the action elsewhere. Charu's swing sequence has acquired textbook status in film studies. Technique apart, Charulata was critically acclaimed as a successful cinematic adaptation of Tagore's literary universe depicting the social world of the emergent Bengali colonial bourgeoisie. It also marked the maturation of Soumitra Chatterjee's career with Ray and gave Madhabi Mukherjee her career-best role.




7. Subarnarekha (1962)
Language: Bengali

Director: Ritwik Ghatak

Running time: 143 mins

Starring: Abhi Bhattacharya, Bijon Bhattacharya, Madhabi Mukherjee

Company: JJ Films

Ghatak's vision in this final instalment of his partition trilogy is a more personal one than in Meghe Dhaka Tara as it focuses on the inner life of the world-weary partition refugee as he retreats from civilization into the wilderness on a journey of self-discovery and self-renewal. The false voice-over accompanying the protagonist's sweeping gaze across the unreal whiteness of the sands of the Subarnarekha riverbed is a sombre one and sets the tone for the director's harrowing yet lyrical vision of post-partition Bengal in the throes of urbanisation and industrialisation. From this point on, the film's melodramatic imagery can be read as a projection of the protagonist's inner turmoil intersecting with Ghatak's cinematic study of various forms of dislocation - of childhood, of sexual difference, of poverty, of political violence. As in his other films the action is framed firmly against the ritualistic detail of the everyday giving the film its epic feel.




8. Mughal-e-Azam (1960)

Language: Urdu-Hindi

Director: K Asif

Running time: 173 mins

Starring: Prithviraj Kapoor, Dilip Kumar, Madhubala

Company: Sterling Investment Corporation

The last of the grand historical epics to emerge from Bombay, this film is a version of the much-filmed romance between Prince Salim (later the emperor Jahangir) and courtesan Anarkali. Nine years in the making, the cult status of this film seems to have justified every extra hour spent in dreaming it up. The memorable dialogue between emperor Akbar and his wayward son marked the pinnacle of Urdu melodrama's profitable relationship with Indian cinema. The song Pyaar kiya to darna kya has become an anthem of rebellious youthful love and the feather-tickling scene between prince and courtesan was symptomatic of the changing mores of Bombay cinema's depiction of sexuality. In many ways a textbook for later Bombay filmmakers, the film may be seen as two phases of Bombay cinema symbolised by the lead stars Prithviraj Kapoor and Dilip Kumar casting an eye forward towards Salim-Javed's Amitabh.




9. Amma Ariyan (1986)
Alternative title: Report to Mother

Language: Malayalam

Director: John Abraham

Running time: 115 mins

Starring: Joy Matthew, Maji Venkitesh, Harinarayanan, Kunhulakshmi Amma

Company: Odessa Movies

The docu-poetic film about the journey of a group of young men through Kerala, all somehow related to an unidentified corpse, also becomes a journey through the histories of the socioscapes depicted. As the film unfolds in the form of a letter from a son to his mother, Abraham relentlessly uses bodies and landscapes as media through whom a discourse on the search for the cinematic-political is visualised. Dislocations of points-of-view are effected through imaginative camerawork, a highly uneven relationship between image and soundtrack montage and multiple performance styles. Scenes denoting the present and the past resonate ambiguously against each other and are frequently interspersed with quasi-documentary footage. A highly complex commentary on the history of the relationships between the personal, the social and the political as evidenced from the state's radical political past, the film was made entirely on the basis of public funds backed by the state film corporation.




10. Awaara (1951)
Alternative title: The Tramp

Language: Hindi

Director: Raj Kapoor

Running time: 193 mins

Starring: Raj Kapoor, Nargis, Prithviraj Kapoor

Company: RK Films

Arriving right at the start of the 1950s, this film documenting the oedipal struggles between an autocratic judge and his estranged son, set the tone for a lot of Bombay cinema that followed. The motif of the long-lost son coming back to avenge the wrongs meted out to him and his mother by the patriarch was forcefully taken up by Bachchan at a later date. The songs were a smash hit, especially the title song that established Raj Kapoor's iconic status as India's favourite tramp as well as helped the film become iconic of modern India in the Communist and Arab worlds. The tramp, free of traditional bonds, became symbolic of a bourgeois socialist culture purporting to be the common 'national' culture cutting across class boundaries. The erotic match between Kapoor and Nargis was much appreciated and thus was launched the first great screen pair in the history of Bombay cinema.




ii.Long List :

India: Long List
This list includes the films that were suggested to our panel of experts, but which did not make the final top ten.

Film
Director
Year

27 Down
Avtaur Kaul
1973

36 Chowringhee Lane
Aparna Sen
1981

Aakrosh
Govind Nihalani
1980

Aandhi
Gulzar
1975

Aavishkar
Basu Bhattacharya
1974

Achhut Kanya
Franz Osten
1936

Adaminte Variyellu
KG George
1983

Agni Nakshatram
Mani Rathnam
1988

Agraharathil Kazhuthai
John Abraham
1977

Ajantrik
Ritwik Ghatak
1957

Akaler Sandhaney
Mrinal Sen
1980

Amaidhi Padai
Manivannan
1994

Amanush
Shakti Samanta
1974

Ammoru
Kodi Ramakrishna
1995

Amritmanthan
V Shantaram
1934

Anand
Hrishikesh Mukherjee
1970

Anarkali
Nandlal Jaswantlal
1953

Andaz
Mehboob Khan
1949

Ankur
Shyam Benegal
1973

Ankush
N Chandra
1985

Anmol Ghadi
Mehboob Khan
1946

Annamaya
K Raghavendra Rao
1997

Antha
SV Rajendra Singh
1981

Aparajito
Satyajit Ray
1956

Apathbandhavudu
K Vishwanath
1992

Apoorva Sahodarargal
Singeetham Srinivasa Rao
1992

Aradhana
Shakti Samanta
1969

Aranyer Din Ratri
Satyajit Ray
1969

Ardh Satya
Govind Nihalani
1983

Arth
Mahesh Bhatt
1982

Arzoo
Ramanand Sagar
1960

Asoka
Santosh Sivan
2001

Aurat
Mehboob Khan
1940

Aye Auto
Venu Nagavalli
1990

Baas Yaari Rakho
Gopi Desai
2000

Baazi
Guru Dutt
1951

Baba Keno Chakar
Swapan Saha
1997

Badsha
Suresh Krishna
1994

Bandini
Bimal Roy
1963

Bandit Queen
Shekhar Kapur
1994

Bangarada Manushya
Siddalingaiah
1972

Banker Margayya
TS Nagabharana
1983

Bara
MS Sathyu
1980

Bedara Kannappa
HLN Simha
1954

Bellimoda
SR Puttanna Kanagal
1967

Bharatham
Sibi Malayil
1991

Bhargavi Nilayam
A Vincent
1964

Bhavni Bhavai/Andher Nagari
Ketan Mehta
1980

Bhoodana
GV Iyer
1962

Bhopal Express
Mahesh Mathai
1999

Bhumika ,
Shyam Benegal
1976

Bhuvan Shome
Mrinal Sen
1969

Bidyapati
Debaki Bose
1937

Bobby
Raj Kapoor
1973

Calcutta '71
Mrinal Sen
1971

Chalti Ka Naam Gaadi
Satyen Bose
1958

Chandidas
Debaki Bose
1932

Chandralekha
SS Vasan
1948

Chann Pardesi
Chitranath Singh
1980

Char Adhyay
Kumar Shahini
1995

Charachar
Buddhadeb Dasgupta
1993

Chasme Buddoor
Sai Paranjpye
1981

Chaudhuin Ke Chand
Ismadiq
1960

Chemmeen
Ramu Kariat
1965

Cheriyachente Kroora Krithyangal
John Abraham
1979

Chhatrapati Shivaji
Bhalji Pendharkar
1952

Chhinnamul
Nemai Ghosh
1950

Chidambaram
G Aravindan
1985

Chithegu Chinthe
MS Sathyu
1978

Chomana Dudi
BV Karanth
1975

Daana Veera Shura Karna
NT Rama Rao
1977

Daasi
B Narasinga Rao
1988

Dahan
Rituparno Ghosh
1997

Dastak
Rajinder Singh Bedi
1970

Deedar
Nitin Bose
1951

Devdas
PC Barua
1935

Devdas
PC Barua
1935

Devdas
Bimal Roy
1954

Devi
Satyajit Ray
1960

Dharti Ke Lal
KA Abbas
1946

Dil Chahta Hai
Farhan Akhtar
2001

Dil Pe Mat Le Yaar
Hansal Mehta
2000

Dil Se
Mani Rathnam
1998

Diler Jigar
GP Pawar
1931

Disco Dancer
B Subhash
1982

Do Aankhen Bara Haath
V Shantaram
1957

Don
Chandra Barot
1978

Dooratwa
Buddhadeb Dasgupta
1978

Duvidha
Mani Kaul
1973

Eenadu
IV Sasi
1982

Ek Din Pratidin
Mrinal Sen
1979

Elipathayam
Adoor Gopalakrishnan
1981

English, August
Dev Benegal
1994

Enippadikal
Thoppil Bhasi
1973

Gadar
Anil Sharma
2001

Ganeshana Madhuve
HS Phani Ramchandra
1990

Ganga Jumna
Nitin Bose
1961

Garam Hawa
MS Sathyu
1973

Gejje Pooje
SR Puttanna Kanagal
1970

Gharana Mogudu
K Raghavendra Rao
1992

Ghasiram Kotwal
K Hariharan, Mani Kaul, Kamal Swaroop, saeed Mirza
1976

Ghattashraddha
Girish Kasaravalli
1977

Ghayal
Raj Kumar Santoshi
1990

Ghulam
Vikram Bhatt
1998

Golmaal
Hrishikesh Mukherjee
1979

Goopy Gyne Bagha Byne
Satyajit Ray
1968

Grahana
TS Nagabharana
1978

Halodiya Choraye Baodhon Khaye
Jahnu Barua
1987

Hamsa Geethe
GV Iyer
1975

Haqeeqat
Chetan Anand
1964

Hare Rama Hare Krishna
Dev Anand
1971

Haridas
Sundarrao Nadkarni
1944

Hero
Subhash Ghai
1983

Himmatwala
K. Raghavendra Rao
1983

Hkhgoroloi Bohu Door
Jahnu Barua
1988

Hum Aapke Hain Kaun...!
Sooraj Barjatya
1994

Hun Hunshi Hunshilal
Sanjiv Shah
1992

Hunterwali
Homi Wadia
1936

In Which Annie Gives It Those Ones
Pradip Krishen
1988

Indradhanura Chhai
Sushant Misra
1993

Irutinte Atmavu
P Bhaskaran
1967

Ishanou
Aribam Syam Sharma
1990

Ito Sito Bohuto
Brojen Barua
1963

Jai Santoshi Maa
Vijay Sharma
1975

Jalsaghar
Satyajit Ray
1959

Jhanak Jhanak Payal Baje
V Shantaram
1955

Jogan
Kidar Sharma
1950

Jotugriha
Tapan Sinha
1964

Jukil Takko Arr Gappo
Ritwik Ghatak
1974

Junglee
Subodh Mukherjee
1961

Junoon
Shyam Benegal
1978

Kaadu
Girish Karnad
1973

Kaadu Kudure
Chandrasekhar Kambhar
1978

Kabani Nadi Chuvannappol
PA Backer
1975

Kadhalan
Shankar
1994

Kahini
Malay Bhattacharya
1995

Kaliya Mardan
DG Phalke
1919

Kalpana
Uday Shankar
1948

Kandukondein Kandukondein
Rajiv Menon
2000

Kanku
Kantilal Rathod
1969

Kannagi
RS Mani
1942

Kappalotiya Thamizhan
BR Panthulu
1961

Kartavyam
A Mohan Gandhi
1990

Karuthamma
Bharathirajaa
1994

Kasba
Kumar Shahani
1990

Kathapurushan
Adoor Gopalakrishnan
1995

Khalnayak
Subhash Ghai
1993

Kismet
Gyan Mukherjee
1943

Klanta Aparanha
Manmohan Mahapatra
1985

Kodiyettam
Adoor Gopalakrishnan
1977

Kolahal
Bhabendranath Saikia
1988

Kummatty
G.Aravindran
1979

Kunku
V Shantaram
1937

Lal-e-Yaman
JBH Wadia
1933

Madhumati
Bimal Roy
1958

Madurai Veeran
Yoganand
1956

Mahal
Kamal Amrohi
1949

Mahanagar
Satyajit Ray
1963

Maine Pyar Kiya
Sooraj Barjatya
1989

Mane
Girish Kasaravalli
1989

Manichithratharazu
Fazil, Priyadarshan, Sibi Malayil, Siddique-Lal
1993

Manoos
V Shantaram
1939

Manthiri Kumari
Ellis R Duncan/TR Sundaram
1950

Marhi Da Deeva
Surinder Singh
1989

Maro Charithra
K Balachander
1978

Martanda Varma
PV Rao
1931

Massey Sahib
Pradip Krishen
1986

Mausam
Gulzar
1975

Maya
Digvijay Singh
2001

Maya Darpan
Kumar Shahani
1971

Meera
Ellis R Duncan
1945

Mera Naam Joker
Raj Kapoor
1971

Mere Mehboob
HS Rawail
1963

Michael Madhusudan
Modhu Bose
1950

Mirch Masala
Ketan Mehta
1985

Mohan Joshi Hazir Ho!
Saeed Mirza
1984

Moondram Pirai
Balu Mahendra
1982

Mr India
Shekhar Kapur
1987

Muddula Mamaiah
Kodi Ramakrishna
1989

Mukha Mukham
Adoor Gopalakrishnan
1984

Mukti
PC Barua
1937

Musafir
Hrishikesh Mukherjee
1957

Muthu
KS Ravikumar
1995

Nagin
Nandlal Jaswantlal
1954

Nanak Naam Jahaz hai
Ram Maheshwari
1969

Naya Daur
BR Chopra
1957

Nayakan
Mani Rathnam
1987

Neelakuyil
P Bhaskaran,Ramu Kariat
1954

Newspaper Boy
P Ramadas
1955

Nirbachana
Biplab Roy Choudhury
1994

Nirmalayam
MT Vasudevan Nair
1973

Oka Oorie Katha
Mrinal Sen
1977

Olavum Theeravum
PN Menon
1969

Om
Upendra
1995

Om Dar-b-dar
Kamal Swaroop
1988

Ondanondu Kaladalli
Girish Karnad
1978

Oppol
KS Sethumadhavan
1980

Oru Cheru Punchiri
Vasudevan Nair
2001

Oru Vadakkan Veergatha
T Hariharan
1989

Paar
Gautam Ghose
1984

Padma Nadir Majhi
Gautam Ghose
1992

Padosan
Jyoti Swaroop
1968

Pakeezah
Kamal Amrohi
1971

Parasakthi
Krishnan-Panju
1952

Parinda
Vidhu Vinod Chopra
1989

Paroma
Aparna Sen
1985

Pasi
Durai
1979

Patala Bhairavi
KV Reddy
1951

Patanga
H.S Rawail
1949

Pathinaru Vayathinile
Bharathirajaa
1977

Peda Rayudu
Raviraja Pinisetty
1995

Pelli Chesi Choodu
LV Prasad
1952

Phaniyamma
Prema Karanth
1982

Phir Bhi Dil Hai Hindustani
Aziz Mirza
2000

Piravi
Shaji Karun
1988

Premaloka
V Ravichandran
1987

Pukar
Sohrab Modi
1939

Purab Aur Pachhim
Manoj Kumar
1970

Pushpak
Singeetham Srinivasa Rao
1987

Qurbani
Feroz Khan
1979

Raitu Bidda
Gudavalli Ramabrahmam
1939

Raja Babu
David Dhawan
1994

Raja Harischandra
D.G Phalke
1914

Raja Hindustani
Dharmesh Darshan
1996

Raksharekha
R Padmanabhan
1949

Ram ke Naam
Anand Patwardhan
1992

Ramshastri
Gajanan Jagirdar
1944

Randheera Kanteerava
NC Rajan
1960

Rangeela
Ram Gopal Varma
1995

Roja
Mani Rathnam
1992

Rojulu Marayi
Tapi Chanakya
1955

Saakshi
Bapu
1967

Saat Pake Bandha
Ajoy Kar
1963

Sahib Bibi Aur Gulam
Abrar Alvi
1962

Salaam Bombay
Mira Nair
1988

Samskara
Pattabhi Rama Reddy
1970

Sangtye Aika
Anant Mane
1959

Sansar Simantey
Tarun Majumdar
1975

Sant Tukaram
V Damle, S Fattelal
1936

Satya
Ram Gopal Varma
1998

School Master
BR Panthulu
1958

Seemabaddha
Satyajit Ray
1971

Shakti
Ramesh Sippy
1982

Shankarabharanam
K Vishwanath
1979

Shantata! Court Chalu Aahe
Satyadev Dube
1971

Shantham
Jayaraj
2000

Shatranj Ke Khiladi
Satyajit Ray
1977

Shavukaru
LV Prasad
1950

Shiraz
Franz Osten
1928

Shiva
Ram Gopal Varma
1989

Shri 420
Raj Kapoor
1955

Siddheshwari
Mani Kaul
1989

Sila Nerangalil Sila Manithargal
A Bhimsingh
1976

Songadya
Govind Kulkarani
1971

Split Wide Open
Dev Benegal
1999

Sujata
Bimal Roy
1959

Swargaseema
BN Reddi
1945

Tabarna Katha
Girish Kasaravalli
1986

Tarang
Kumar Shahani
1984

Taxi Driver
Chetan Anand
1954

Teesri Kasam
Basu Bhattacharya
1966

Teesri Manzil
Vijay Anand
1966

Tezaab
N Chandra
1988

Thampu
G Aravindan
1978

Thanner Thaneer
K Balachander
1981

Tharam Marindi
Singeetham Srinivasa Rao
1977

The Terrorist
Santosh Sivan
2000

Theerthadanam
GR Kannan
2001

Thillana Mohanambal
AP Nagarajan
1968

Thulabharam
A Vincent
1968

Thyagabhoomi
K Subramanyam
1939

Thyagayya
Chittor V Nagaiah
1946

Tunnu Ki Tina
Paresh Kamdar
1994

Udayer Pathey
Bimal Roy
1944

Umbartha
Jabbar Patel
1981

Umrao Jaan
Muzaffar Ali
1981

Upendra
Upendra
1999

Upkaar
Manoj Kumar
1967

Uttara
Buddhadeb Dasgupta
2000

Uski Roti
Mani Kaul
1970

Vande Mataram
BN Reddi
1939

Veerapandiya Kattabomman
BR Panthulu
1959

Velugu Needalu
Adurthi Subba Rao
1961

Waqt
Yash Chopra
1965

Yaadon Ki Baraat
Nasir Hussain
1973

Yamaleela
SV Krishna Reddy
1994

Yaro Oral
VK Pavithran
1978

Zanjeer
Prakash Mehra
1973